Kremen Essays and Other Writings

(with Flint, J.) Why Collage? An Interview with the Artist. In Collages by Irwin Kremen. Washington, D. C.: Smithsonian Institution Press, 1978, pp. 15 - 31.

Word and Collage. In 53 Collages by Irwin Kremen. East Lansing, Michigan: The Trustees of Michigan State University, 1979, pp. 3 - 14.

Works and Ways (An essay). In Irwin Kremen. Birmingham, Alabama: Birmingham Museum of Art, 1981, pp. 5 - 10.

(Untitled essay) In Collages by Irwin Kremen, Pittsburgh, Pennsylvania: Museum of Art, Carnegie Institute, 1983.

A Dialogue. In SE Ǝ: Collages by Irwin Kremen. Brooklyn, New York: The Brooklyn Museum, 1985, pp. 4 - 13.

The Second Dialogue. In In Plain View: The Collages of Irwin Kremen. Memphis, Tennessee: Memphis Brooks Museum of Art, 1987, pp.6 - 10.

The Third Dialogue - A Reminiscence. In per se: Collages & Other Works by Irwin Kremen. Chicago, Illinois: Gallery 400, University of Illinois, 1988, pp. 4 - 11.

The Reva K. Series. In The Reva K. Collages & Other Works by Irwin Kremen. Philadelphia, Pennsylvania: Temple Gallery, Temple University, 1988, p. 4.

As I Was Saying. In The Reva K. Collages & Other Works by Irwin Kremen. Philadelphia, Pennsylvania: Temple Gallery, Temple University, 1988, pp 5 - 11.

Out of the Cookie Box into the Frame. In From the 2nd Decade: Collages by Irwin Kremen, 1979 - 1989. Winston Salem, North Carolina: Southeastern Center for Contemporary Art, 1989, pp. 3 - 6.

On the Re'eh Series and Its Making. In The Re'eh Series. Wichita, Kansas: Wichita Art Museum, 1990, pp. 5 - 7. Reprinted in The Re'eh Series, Collages by Irwin Kremen: In Memory of the Victims of the Holocaust. Savannah, GA: Telfair Museum of Art, 1999.

Three Anecdotes Plus. In Black Mountain College: Sprouted Seeds An Anthology of Personal Accounts. Knoxville, Tennessee: University of Tennessee Press, 1990, pp. 203 - 205.

Introduction and On Black Mountain College. In The Black Mountain Connection: John Cage Merce Cunningham, Irwin Kremen, M.C. Richards. Tampa, Florida: Tampa Museum of Art, pp. 8 - 9 and 31 - 32. On Black Mountain College. Reprinted in the North Carolina Literary Review, 1995, Vol. II, No. 2, p. 55.

(A note on 4'33"). In 4'33" (Original Version in Proportional Notation). New York: Edition Peters, No. 6777a, 1993.

William Noland. In William Noland. Raleigh, North Carolina: City Gallery of Contemporary Art, 1995.

I & K: The Fourth Dialogue. In C#: Collage and Sculpture by Irwin Kremen. Greensboro, North Carolina: Green Hill Center for North Carolina Art, 1996, pp. 1 - 17.

(Untitled Statement). In Seescape: Collages by Irwin Kremen. Jackson, Mississippi: Mississippi Museum of Art, 1998, p.2.

From That Day to This. In Irwin Kremen: Beyond Black Mountain 1966 to 2006. Durham, North Carolina: Nasher Museum of Art, Duke University, Durham, North Carolina, 2007, pp. 31 - 59.

On the Making of the Re’eh Series and Its Iconography, (Part I and Part II). In Irwin Kremen: Beyond Black Mountain 1966-2006 published by the Nasher Museum of Art at Duke University, 2007, pp. 87 - 114.

Insight Out. In In Site: Late Works by Irwin Kremen. Asheville, North Carolina: Black Mountain College Museum + Art Center, 2011, pp. 1 - 8.

Preamble to the Checklist. In In Site: Late Works by Irwin Kremen. Asheville, North Carolina: Black Mountain College Museum + Art Center, 2011, p. 31.

After All. In FURTHERMORE, this Website, Kremen Essays and Other Writings, 2017.