Three Camonicans, 1991
iron and wood
10 1/16 x 15 1/4 x 2 1/4 in.
They Beat Me to It, 1966
wasp-nest comb, magnolia stems, Styrofoam, acrylic paint
4 3/8 x 5 3/4 x 3 1/4 in.
To a Tee, 1966
wood, iron, Bunsen burner pad, and stove hot pad
26 1/4 x 9 x 1 in.
Namon, 1980/87
iron on wooden base
10 7/8 x 13 x 2 1/2 in.
base: 2 x 12 x 1 7/8 in.
Private Collection
sic, 1982
brick and iron on wooden base
7 1/8 x 3 15/16 x 2 5/16 in.
base: 2 1/4 x 5 1/16 x 3 13/16 in.
Ironicon I, 1980
iron on wooden base
23 3/4 x 2 5/8 x 3 3/8 in.
base: 1 9/16 x 5 5/16 x 9 13/16 in.
Private Collection
Amor fati?, 1980/90
mixed metal
15 1/4 x 35 1/2 x 12 in.
Catch As Catch Can, No. 7, 1990
mixed metal
30 1/2 x 14 1/2 x 3 7/8 in.
Late American Gothic, 1990
mixed iron and steel
57 3/4 x 23 3/4 x 11 in.
Collection of Mary & Leigh Block Museum of Art, Northwestern University
Counterpoint, 1990
mixed iron and steel
26 3/4 x 16 3/4 x 9 3/4 in
The Feathered Thing, 1991/95
wood and feathers
30 1/2 x 3 1/2 x 3 1/2 in.
She, 1992
mixed iron and steel on wooden base
22 x 4 3/8 x 3 3/4 in.
base: 1 1/2 x 5 7/8 x 9 3/4 in.
The Gladiators, No.2, 1992
iron
11 x 16 7/16 x 5 5/16 in.
Gratis, 1993
mixed metal
28 1/8 x 19 9/16 x 7 1/2 in.
Private Collection
Mirror Piece, 1993/95
mixed iron and steel and mirror
17 11/16 x 37 x 21 3/4 in.
They, 1995
mixed iron and steel
55 x 33 x 15 1/4 in.
Trio, 1993
steel
25 1/16 x 23 1/2 x 21 1/2 in.
The Will of the Whorl, 1993
mixed metal
48 x 48 x 7 in.
The Wand of the Whorl, 1995
Mixed iron and steel
39 x 42 7/8 x 17 1/2 in.
A 9/11 Sculpture, 2001
iron, aluminum, and steel
20 3/16 x 6 5/16 x 1 13/16 in
base: 1 1/8 x 4 15/16 x 4 15/16 in.
This and That, 2007-8 / 09-10
wooden cable spool, steel, oil paint, Dibond, circular saw blades, clutch plate, grinding discs, abrasive discs, sanding discs, acrylic, plastic, gears, aluminum
26 5/8 x 23 1/2 x 1 7/16 in.
Deathgate, 1995
mixed iron and steel
62 x 133 x 106 in.
Another Kiss, 2006
stainless steel and magnet
9 7/8 x 14 1/8 x 5 1/4 in
Whichever, 1992
steel, rubber
18 5/16 x 15 7/8 x 13 5/8 in.
Images of the sculptural collaboration between Irwin Kremen and William Noland appear twice in the Furthermore Section, at the Kremen/Wm. Noland page and in the Epilogue to the essay, "From That Day to This."